English Garden Design

You know one when you see it. The English garden design is all about curved beds, winding paths, riotous color. The gardener’s hand is light. There—but just barely. It lets nature do its own thing. You might even say that the English garden design is controlled chaos.

The history of English garden design began with the revolt against the constraints of formal landscape design and classic landscape design. These two forms, with their appreciation of balance, symmetry and geometry, sit on the opposing end of the spectrum from English garden design. Where formal gardens find beauty in linearity, English gardens use undulating lines. Where formal gardens seek right angles, English gardens use few, if any, angles. The words of the English poet Alexander Pope (1688-1744)—the “amiable simplicity of unadorned nature”—describe this style.

Impressionist painters were key influencers in the continuing development of the English garden design. Claude Monet (1840-1926) claimed that painting and gardening were his only two interests in life. When he first moved to Giverny, where he would build his famous water gardens, his first concern was to arrange the garden in a rampant, naturalistic explosion of color.